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A Considered Wardrobe

A Considered Wardrobe (1 of 1)

Coca Cola has and holds no place in the fashion industry, let alone the sewing world, correct? Those were my exact sentiments when the company reached out to me to be a contributing writer for their blog, Journey. I’m very particular with the guest posts, collaborations and partnership I undertake. There was a time when I would sign up for whatever came my way, but now, it has to be a right fit for both parties. If it isn’t, it’s like trying to fit a square peg into a round hole. It just ain’t gonna work. I was close to saying no, but then I hopped on a call with Ruben and Elizabeth just for the hell of it. That was a good decision. The philosophy of Journey is to highlight individuals who are doing something different and innovative in their field or hobby. I’m not sure if I achieve this with Madalynne, but it’s what I strive for. I said yes to their proposal and it was for one reason and one reason only, so I could be the bridge between the sewing world and the rest of the universe. Through my articles, I hope to bring the gospel of sewing to the others and reveal who we are, what we do and how much fun we have creating and connecting.

So today, I’m sharing with you my piece, which discusses a subject I’ve become very passionate about – constructing a wardrobe. Sarai was a huge help in the formation of this post, providing background to how and why she came up with her series, The Wardrobe Architect, as well as what she took away from it. Thank you Sarai!

“What a deformed thief this fashion is.” Words written by William Shakespeare.

The fashion that takes my heart captive and steals my breath away are the styles of the early 1960s. In 1961, a fashionable woman usually left the house wearing an elegantly styled bouffant and a simply cut dress known affectionately as “little nothing.” Almost always sleeveless and slim, the “little nothing” recalled the flapper dresses of the 1920s. Also in this year, skirts rose above the kneecap, and designers created “the look” by selling not just garments, but hats, shoes and make-up. Princess Margaret, Jacqueline Kennedy, Grace Kelly and Brigette Bardot were muses of laywomen. A year later, in 1962, not much changed. Audrey Hepburn’s Hubert De Givenchy dress in the movie Breakfast at Tiffany’s and Yves Saint Laurent’s show-stopping collection dominated fashion news. Then, from 1963 to 1965, the sartorial world turned modern and young. Knee-high skirts, vivid prints and lower heels became popular. In London, a fashion revolution broke out, and for the first time, the British were the most vogue folk. Yet, throughout these 5 years, women carefully considered their outfits knowing that it spoke volumes about their station in life and what face they wanted to present to the world.

Call my soul bygone or dated, but what happened to this type of dressing? When did we lose sight of the fact that our outfit states who we are in the eyes of others and ourselves? Luckily, there exists a hamlet of women and men bringing the art of dressing back. They, or I should say we, call ourselves the sewing community and by creating “me-made” garments that fit our bodies, flatter our coloring and suit our lifestyle, we are resurrecting an old, but not dead, trend. 

A Considered Wardrobe4A Considered Wardrobe2

At the beginning of 2014, Colette Patterns, an independent pattern and sewing company, launched an experimental project called The Wardrobe Architect. Point blank, its purpose was to “construct” a wardrobe that reflects a person’s identity, not a fashion trend. Through a series of posts over the course of several months, Sarai Mitnick, founder and owner of Colette Patterns, discussed form and function, the deeper implications of fashion choices, how clothing reflects identities and how the sewing community could sew more and buy less. 

“When you sew, your possibilities are almost limitless. But that can also make it difficult to develop a coherent style – one that really reflects who you are and where you come from. If you can make nearly anything, you discover that merely liking something isn’t enough. You begin looking a little more inward to discover what your clothes really say about you,” said Sarai. “I wanted to create a process for this kind of discovery, for myself if nothing else. I wanted to stop buying and making things that weren’t really me, that went unused or that didn’t really fit my personality.”

In week one, Sarai examined the concept of individuality and identity. One of fashion’s main functions is to tell a story about a person, but the language of clothing is limited, and both women and men are constrained by the styles of time and the meanings that are affixed to clothing by others. Through downloadable online exercises, Sarai asked readers to identify the ways they are different, including their history, philosophy, culture, community, activities, location and body, so that they could identify their own style and be freed from trends. Adding a bit of interactivity to the lesson, Sarai uploaded a photo of herself everyday on Instagram explaining how each element (listed above) affected her style. She asked readers to the do same, sharing their photos with the hashtag #wardrobearchitect.

After exploring shapes, discussing proportions and silhouettes, identifying color stories and finding a beauty regime, Sarai put her lessons to practical use and created a capsule wardrobe. Consisting of core silhouettes in a specific color assortment, a capsule wardrobe would be a small, manageable subset of a women’s closet that would serve as a guide or a template for her when planning her seasonal wardrobe (2-4 times per year), and would include both ready-to-wear and me-made garments.

“Over the course of the project, I learned just how many other women struggled with the same issues I had. Many of us are interested in taking a more thoughtful, minimalist and considered approach to dressing, but we often stumble over discovering who we are and what we really want. Having a process to go through really helps with this, because it forces you to ask some questions you normally wouldn’t, such as what your clothes really communicate, how they reflect your history and values and why you are drawn to certain things and not others.”

I followed along with Sarai’s challenges and activities, and by the end of the series, I had purged 75 percent of my closet. My collection of clothing is smaller than it’s ever been, but I’m happier with the way I dress. Every piece of clothing has a purpose and goes with the other items of my wardrobe (for the most part, at least). But it was only through careful consideration over several months that I got to that point.

While looking for a new place to live recently, the realtor walked me into the bedroom and said, “I’m not sure you’re going to like this next room, it has a small closet.”

My retort: “That’s all I need.”



  1. Reply

    Victoria Beppler

    Congrats on that contribution–I definitely think you’ve achieved your vision, and it seems to mesh well with Journey!

    The Wardrobe Architect has really made my gears start turning, too. I can’t tell you the last time that I actually bought a garment in a store (other than jeans right now). So many of us are in the same boat of trying to take a more minimalist approach to what we wear/put in our closets. It’s amazing because a year ago, heck–3 or 4 months ago, I would have been able to buy something every time I went out shopping. Now I think about where it’s from and actually look at how it’s made. I’m finding some fast fashion giants (as you’ve mentioned before) have clothes that really aren’t made that well.

    Great, great post! Loved reading it here and on Journey as well!

  2. Reply


    That’s great that you have been able to hone in on what matters most and what works for you in your wardrobe. I have done the same, now I just need to get rid of those sentimental items that I don’t wear but keep for the memories, or because it is a great vintage piece and I just can’t let go.

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